Friday, September 6, 2019

Graffiti Art Essay Example for Free

Graffiti Art Essay In the late 1960s’s, another art genre was recognized and developed although its lack of form and other basic aesthetic elements has been once a topic of debates as regard its acceptance in the artistic world. Obviously, it differs from the works of art found in museums and galleries and its kind are not found in those elite locations because its location is specific. The location of graffiti art has been actually a subject of oppositions as well as its bold, unexpected and unconventional presentation. Although still, its location, may it be illegal, does not disqualify it as art. Thus, graffiti art is a form of art despite criticisms on its legality, coherence and presentation. It is also argued that graffiti art is a form of vandalism, but this is true only if they appeared on private or public property without permission. Graffiti art is indeed another genre of visual masterpiece. Graffiti comes from â€Å"grafficar†, an Italian word for drawings, markings, patterns, scribbles, or messages that are painted, written, or carved on a wall or surface. Graffiti is the plural of grafficar. Grafficar also signifies a process meaning to scratch. Examples of which are different wall writings ranging from cave paintings, bathroom scribbles, or any message that is scratched on walls. In the ancient Egypt and Rome, in particular, graffiti has been visible in monuments and building walls which are now being explored. It is originally used to term inscriptions, figure drawings, and other carvings found on the walls of ancient sepulchers or ruins. Examples are the Catacombs, or those found at Pompeii. (Whitford, 1992. pp. 137) In the modern era, present day graffiti is also associated to any unsolicited markings on a private or public property, usually considered to be vandalism. In the early 1970s young New Yorkers has started to adopt tags, signatures and signs using aerosol sprays and markers in public places. The youngsters, belonging to the black and Puerto Rican communities have initiated the tagging which eventually developed and soon covered the citys walls, buses and obviously in subway trains. Tags even cover the entire train. Some may contain screen names or reflections of the writer, comes in subtle and often cryptic messages. Taki, an artist of Greek-American descent, was the first modern identified tagger in New York. He signed himself Taki 183, the number probably derived from the number in his apartment block. Some names also made their appearances in some real urban murals painted with spray-paint. Tags such as Futura 2000, Dust and Pink gained fame and recognition in the world of hip-hops. There were also Basquiat and Haring who also started to work in the street and the subway but their works swiftly spread beyond the works of graffiti. Their works attracted the attention of influential dealers which put them in great demand although their works were considered one of the rare forms of graffiti art. (Graffiti†¦ 2007, p. 1) Tagging and graffiti differs from each other although arguments about this difference still arise. Tagging is associated negatively as gang-motivated and illegal because it is usually meant as vandalism. It is also viewed as too vulgar or controversial to have public value. On the other hand, graffiti can be viewed as creative expression, not to mention its usual link to politics. Main Types of Graffiti Art The main types of graffiti fall into different categories and have their own names which are recognized in cities all over the world. First is â€Å"Hip Hop Graffiti†. This is characterized by ‘pieces’ which hip hop graffitists create by aerosol spray paints. They are large and colorful works, usually including either a complex mix of letters or a cartoon-style picture. This type of graffiti often lacks much thought and planning in design and usually takes an extended period of time. Second is the â€Å"Opportunistic Graffiti† which location is selected impulsively, on the basis of low risk and low natural surveillance. Graffitists of this type usually use tags or scrawling to mark their territory. Third type is the â€Å"Gang Graffiti†. Gang graffiti is not art work but a sophisticated communication to publicize gang power, status, and territory. This type is somehow related to opportunistic graffitists because they also use tags or scrawling to mark territory. But in addition to this, gangs use graffiti to create notoriety or show off their defiance of the law and society, and as a mode of marking their presence. The fourth, the â€Å"Political Social Graffiti† is obviously of racial or political motivation. This is uncommonly regarded as part of the graffiti subculture, although it is recognized as damaging to property. The last type is the â€Å"Commercial Graffiti† which is an emerging civic problem. This involves huge compensations paid by private organizations to graffitists to spray advertising logos onto walkways and buildings for promotions of their products. This type is an illegal form of advertising that avoids normal planning laws. (Stowers 1997, pp. 1-2) Gang Graffiti: The Most Dangerous Graffiti The gang graffiti is the most controversial not just because of the characters of its writings but because of its social impact in the neighborhood. Gang graffiti is an indication of gang presence in the community. Gangs use graffiti as their newspapers, thus they usually call it â€Å"newspaper in the wall† as gangs use them to send messages. This is their way of marking boundaries and warning rival gangs. Graffiti may also be an instrument to advertise drug market or, as a memorial to a killed gang member. Symbols and cryptic writing style is exclusive in each gang. Death warrants and beat downs are known to be posted in graffiti. Upside down or crossed out graffiti generally means a put down or threat to a rival gang or person. (Bland and Read 2000) According to Michael Carlie (2002), graffiti is the most common method of gang communication and a major symbolism of their gang affiliation. Jonathan Kellerman (1994) as cited by Carlie referred to graffiti as â€Å"the hieroglyphics of rage† because of the violence associated with it. On the surface, a person who is not familiar with it might think of graffiti as a simple nonsense painting on the wall or in poles or elsewhere, or just a plain vandal. Carlie adds that among other things, graffiti communicates the â€Å"role call† or the roster of gang members, or the hierarchy of gang members. It also implies whos around, whos with who, whos disrespecting who, which gangs are claiming what territory and which areas are in dispute. It may be an announcement of current gang activities and whos getting ready to attack who, or whos already been killed. A familiar language, for example, is the â€Å"X† which if marked on a member’s name means he is the likely target for an attack or murder. (Carlie 2002, pp. 2) An important not on gang graffiti is, in many ways, it is a code and codes in general are subjects to analysis. Deciphering gang graffiti requires the understanding of the symbols, abbreviations, structure, that composes the gang language. In the United States, gang graffiti is usually based on two dominant styles the L. A. and Chicago styles which vary greatly and influence to some degree across the country. Some gangs use an exclusive style while others use a combination. For example, the Gangster Disciples originated in south-side of Chicago might combine L. A. style gang lettering with Chicago Folks Nation symbols. In New York, Latin Kings might use Chicago Latin King symbols but with New York tagger style graffiti lettering. (Graffiti 2010) These styles and some of the variations are seen throughout the country and a person who understands both styles is more likely to understand most, if not all, gang graffiti. Characters of gang related graffiti has sharp, angular stick letters, or mostly contains religious, even â€Å"satanic† imagery, or is done in one color of paint. Most of the times they are very simple and flat-out which make them easy to figure out. But no matter how simple they appear, it still requires some basic code-breaking skills. (Deciphering Gang†¦2010. p. 1) Figure 1: WS 18 St, HGS West Side Eighteenth Street (gang), Hoover Gangsters (a clique of 18th Street) Two-digit numbers, especially â€Å"13? , â€Å"14? , or â€Å"18? , signifies graffiti for a hispanic gang while three digits, especially if they are the area code of your neighborhood, it’s almost certainly not a hispanic gang, but a typical prison or street sort. Exception to this is numbers followed by â€Å"K† which means a threat from a rival gang. â€Å"WS18? (figure 1) is a tag for the (hispanic) West Side 18th Street gang out of California. â€Å"WS18K† means a threat towards 18th Street by a local gang. Note that â€Å"K† is short for â€Å"Kill†. If there are two digits, see if they’re prefixed by â€Å"N†, â€Å"S†, â€Å"E†, or â€Å"W† (or â€Å"NS†, â€Å"SS†, â€Å"ES†, or â€Å"WS†) which relate to the cardinal directions, and form part of the gang’s identity. Hispanic gangs more often use 13 and 14 the 13th letter of the alphabet is â€Å"M†, which generally stands for â€Å"Mexico† or â€Å"La Eme†, the Mexican Mafia and the 14th letter â€Å"N† generally means â€Å"North† that symbolizes which end of California the gang originated from. It is a division as gangstas from the north and south parts of California frequently clash. Figure 2: Lil Capone WS VSLC, crossed out BK, Crossed out PBGK Lil Capone (name of gang member) West Side Venice Shoreline Crips, Blood Killer, Playboy Gangster Killer (disrespect to rival gangs) Certain patterns appear without the numbers. As always, â€Å"K† is a threat to â€Å"(K)ill†, as are any crossed-out letters. â€Å"A† as in â€Å"Almighty† â€Å"N†, that virtually stands for â€Å"Nation† can be safely ignored. When seen together, which usually occurs, it show up that the gangs used to calling themselves the Almighty Whatever Nation. Figure 3: GD around Star of David with number six inside the star, pitchfork extending from the D Gangsters Disciples with six point star representing GDs and Folks. Pitchford represents GDs and Folks Gangs which are known in the country carry a finite code which makes them easy to identify. â€Å"GD† is the Gangster Disciples and â€Å"VL† are the Vice Lords. â€Å"LK† are the Latin Kings, and â€Å"LQ† the Latin Queens; sometimes when they’re getting along, they’re the LKQ Latin Kings and Queens. Crossed-out letters in gang graffiti usually mean a threat. Letters â€Å"B†, â€Å"C†, â€Å"F†, â€Å"P†, or â€Å"S† crossed-out in a piece of gang graffiti, it signifies a threat towards a gang whose name, â€Å"nation†, or nickname begins with that crossed out letter. In the Vice Lord tag, the letter â€Å"C† is not crossed out which tells you the local Vice Lords don’t have complaints with the (C)rips. Gangs should write very carefully because all too often, little slights in graffiti like crossing out letters, or painting over rival gangs’ tags, are a sure warning sign of impending gang war. Figure 4: CVLN Conservative Vice Lords Nation. Cane extending from the L is a CVL symbol. Upside down pitchfork shows disrespect towards Fold Nation gangs. Knowledge in deciphering gang graffiti introduced you to a neighborhood of gangs. In (figure 4) the â€Å"C† is short for â€Å"Conservative†. The â€Å"Conservative Vice Lords† are one of several dozen larger Vice Lord â€Å"sets† around United States. Some communities have taken a massive campaign against graffiti and also intensifies gang reduction. In Florida, the Florida Department of Corrections website posts information to help educate the public in reducing gang activities, which imposes threat to the community. Some gangs, the website says, even use graffiti as Death warrants to authorities specifically to police officers. Community awareness program in most part of America uses the 4 Rs of graffiti to intensify campaign against gangs and gang graffiti. The slogan says, â€Å"READ IT, RECORD IT, REPORT IT REMOVE IT†. (Deciphering Gang†¦2010, p. 1) Thus, citizens should read it and report it to police, and police will record it and then remove it. These steps are important but the removal of the graffiti is the most risky. Removal of graffiti manifests the neighborhoods refusal to be dominated or intimidated by gangs which is a language most gang members understand. Neighborhood residents who ignore graffiti and bother not to remove them are viewed as frightened and weak by the gangs who made them. At the worst, there are instances that gang members attack people who attempt to remove or cover their graffiti. Gang graffiti is the most dangerous of all graffiti and can usually be found around community rail stations. It marks territory and rival gangs usually challenge for territory by crossing out another gangs graffiti. It imposes real and great danger to the residents. Messages in graffiti are taken seriously by gangsters and the longer graffiti is, the greater the risk that the threats will be acted on. Graffiti is a gateway crime and membership in gangs certainly guarantees a criminal record. Since juvenile of minor age receives more lenience when it comes to punishment, the minors are the usual target of recruitment and the doer of crimes. Residents Against Graffiti Everywhere (RAGE) is a community group that looks at social issues and works with local councils and Governments towards promoting a zero tolerance policy on graffiti. (Bland and Read 2000, p. 179) By legal definition, graffiti is vandalism. It is the unauthorized application of markings on someone else’s property, especially without permission. Therefore, legality wise it is a crime. The manner that graffiti is regularly produced as illegal detracts it from the concept to be considered an art form. Very unfortunately that graffiti is responded with outrage over the abuse of someone’s property. This negative connotation may take away the value or impact of the artist’s original message. Perhaps, it would be better to get permission from the owner of the â€Å"canvas† to display the art. Yet, graffiti still elicits emotional response even in its illegal state. Furthermore, it is composed of lines, shapes, color, tones, and forms in a display that conveys a certain message and elicits an emotion. Therefore, it is safe to say that graffiti is indeed an art. As George Stowers (1997) presented four criteria as basis that some forms of graffiti become a work of art. First, the artists intention to produce a work of art separates graffiti art from everyday graffiti markings. Second, graffiti art established a history of development in style and technique. Third, the art world has already recognized graffiti as an art form. Fourth is the public response to graffiti art indicates that it is art. Regardless of the message it conveys, the fact that graffiti carry the aesthetic and creative symbolism and expression, public agrees that graffiti is a form of art. Like other art forms, graffiti art is a definite art when both the artist and the audience agree on the works ability to provide maximal aesthetic satisfaction. Graffiti is presently known as spray can art which is a form indeed recognized as art. It has form, color, and other base properties as any other art pieces. It also has as an arrangement of these elements into structures that qualify it aesthetically as being art. However, something that is done with spray paint might make it graffiti, but not necessarily qualify as art or graffiti art. Location and presentation still are the factors that hinder the general acceptance of graffiti art. However, the instances that the art world’s acceptance of graffiti art shows that conventional methods of presentation are not all that matters in determining graffiti as an art. Graffiti in the form of spray can art is art like any other work that might be found in a gallery or a museum. References Bland, N. Read, T. (2000). Policing Anti-social Behaviour. Police Research Series 123, Policing and Reducing Crime, British Home Office, London, UK. Carlie, Michael. (2002) Graffiti and Other Gang Identifiers. (Into the Abyss: A Personal Journey into the World of Street Gangs) Retrieved 23 May 2010 from http://faculty. missouristate. edu/m/MichaelCarlie/what_I_learned_about/GANGS/graffiti _and_other_identifiers. htm. Deciphering Gang Graffiti (2008). The Slugsite. com. Retrieved 23 May 2010 from http://www. slugsite. com/archives/825. Graffiti. (2007) The Huntfor. com retrieved 23 May 2010 from http://www. huntfor. com/arthistory/C20th/graffiti. htm.

Thursday, September 5, 2019

Health Care of Salt Workers in Surendranagar District

Health Care of Salt Workers in Surendranagar District INTRODUCTION HEALTH is a blessing from GOD. The enjoyment of highest attainable standard of health is one of the fundamental rights of every human being (Preamble to WHO Constitution UN, 1948). According to Human Rights Article 25; every one has the right to medical care and necessary social services. According to a well-known adage, â€Å"He who has health has hope, and he who has hope has every thing†. Understanding the impact of social inequalities on health has become a public health priority in the new millennium (1). Social, political, and economic factors now are acknowledged to be fundamental causes of disease that affect behavior, beliefs, and biology (2). This recognition is changing the theoretical framework of epidemiology by incorporating the complex, interactive process that creates population health differentials (3). Understanding this socio-biological translation among general masses is critically important because it is very important to know the behavior of general masses that in turn help in prioritizing and planning problems and their solutions. Throughout industrialized countries lower adult socioeconomic status (SES) has been clearly linked to poorer health (4-5). Whenever we look globally at the health status in different settings, a wide variation is noticed, in terms of Mortality and Morbidity as well as quality of life. In making choices for health funding in low-income countries, policy makers and donor agencies are guided by epidemiological evidence that indicates the burden of disease on the poor. There is a large body of evidence from developed countries demonstrating an association between poverty and risk of common health problems (6). India is a developing country with one of the most diverse populations in the world. In spite of considerable economic progress in recent years, India continues to face challenges dealing with poverty, unemployment, malnutrition and disease and disability. If we put a cursory glance at Indian health scenario then we can come across certain gruesome health problems such as population explosion problem, hunger and malnutrition (under and over), non-availability of safe drinking water, improper refuse and excreta disposal, high prevalence of communicable diseases, increasing prevalence of non-communicable diseases and lack of medical care facilities. Due to unequal distributions of resources hunger and malnutrition are problems everywhere and have harassed mankind and threatened peace throughout history. For many people in the rural areas or remote regions of the India, health facilities are inaccessible and beyond means. The cost of staying alive pushes one quarter of Indians below poverty line. In our Country too many people die as a result of no access to even the most Basic Health Services. Our goal should be that not a single individual feels in any way less of human being. That means by making it possible for every person to receive good health through developed Public Health System. Without some utmost efforts and appropriate measures it seems impossible for every person to receive good health through developed public health infrastructure. Among India’s states, Gujarat has largest coastline and highest number of airports. The population of Gujarat is 5, 0596,992 with a literacy rate up to 70 percent (census 2001). Gujarat has also some of its most impressive traditions (including hospitality) with a vibrant cultural diversity blended with modern amenities of transportation. Gujarat has also quality network of educational institutions. The state has done proud to the nation in socio-cultural, agricultural and industrial (Textile, Cement, Petroleum, Low-Pressure Gas, and Pharmaceutical) fields. It has also earned its rightful place on the national tourist circuit. In spite of all these, the fact remains that, overall development in world in our own country has not mode significant impact on life of salt workers in Surendranagar district else where in Gujarat. Although government few voluntary organizations are trying hand to improve life situation of salt workers, programs is too slow. This is because situation is complicated because of various factors like wide geographic area with scattered houses, inadequate water food supply, inadequate health services, illiteracy, poor economic condition with debt, complex market situation etc. On other side well within Surendranagar City a Medical College is having altogether more than 800 health personnel, which includes medical specialist, other doctors, nursing staff, interns, medical students, nursing students other supportive staff. It is also having well equipped hospital for tertiary as well as primary secondary health care. Looking at need in area, these rich resources should be utilized at the earliest possible. So with following aims objectives C.U. Shah M.C. Hospital have decided to join hands with Govt. NGO for supporting health care of salt workers of Surendranagar district. We hope for success developing a model to be followed in other part of Gujarat Country. AIM OBJECTIVES Aim: Improve health status of salt workers their family members to develop a system whereby they can be a part of it to maintain their own health. Objectives: To assess the present situation of salt workers. To address immediate need for medical care. To develop health care system in which salt workers will participate actively for long term impact on their life future generation. To cooperate with other health related activities for salt workers. To carry out operational research for better effective management of resources as well as to solve problems related to occupational health. To sensitize young students work force for sustaining such activities in future. To evaluate the process outcome for developing effective model health care services for salt workers. To document disseminate findings about this model, so that it can be implemented immediately at reasonable cost in other parts of Gujarat. METHOD Dept. of Occupational Health Care (Rural) will handle the project under the technical guidance of department of preventive social medicine administrative support of Dean, C U Shah Medical College. PERIOD The project is planned for One-year duration, which includes need assessment survey, training, implementation, evaluation, documen-tation dissemination. POPULATION All salt workers, presently working in Surendranagar district will be covered under the project. Around 5,000 families are expected to be the direct beneficiaries of the project. STRATEGY An integrated family health care will be provided with 50 community based Agaria Prathmik Swasthya Kendra with support of 5 Agaria Swathya Kendra. Each Agaria Prathmik Swasthya Kendra will cover around 100 families it will include following facilities. Health check up Treatment of minor ailments Facilities for referring patients to higher referral centres. Health Education Awareness Preventions of diseases with Special emphasis on Occupational Health Guidance. Maternal Child care Guidance about how to have access to essential life commodities. Guidance for alternative employment for temporary period. 9.Supportive facility for informal education. The 5 Agaria Swathya Kendra will be supported with 5 paramedical staff specialist in field of community health, pediatrics, gynecology medicine. It will also be equipped with two wheeler (one per center) 2 mobile health care units. MAJOR HEALTH PROBLEMS WHICH NEEDS ATTENTION Skin Problems: Dry Skin, Warts, cracks, Fungal Infection Eye: Itching, Watering, Cataract Hypertension Tuberculosis Malaria Backache joint pain Vitamin A Deficiencies, anemia and other malnutrition problems Gynec Problems: White discharge, excessive bleeding during menses Spread of STDs / HIV Diarrhoea ARI Problems of mother children (ANC, PNC, INC etc.) Others as per the need assessment ongoing monitoring. ORGANIZATIONAL STRUCTURE Dean Trustees | Department of Community Medicine | Project Director | Panel of consultants, doctors, occupational health experts, sociologist etc | Project coordinator field coordinator | Agaria Swasthya Kendra coordinators (ASK) | Agaria Prathmik Swasthya Kendra (APSK) (Community health volunteer) | Salt workers their family members REFERENCES Adler NE, Ostrove JM. Socioeconomic status and health: what we know and what we don’t. Ann N Y Acad Sci. 1999; 896: 3-15. Link BG, Phelan J. Social conditions as fundamental causes of disease. J Health Soc Behav. 1995; (special issue): 80-94. Kriger N. Theories for social epidemiology in the 21st century: an ecosocial perspective. Int J Epidemiol. 2001; 30: 668-677. Adler NE, Boyce T, Chesney MA, et al. Socioeconomic status and health: the challenge of the gradient. Am Psychol. 1994; 49: 15-24. Macintyre S. The black report and beyond: what are the issues? Soc Sci Med. 1997; 44: 123-145. Patel V, Kleinman A. Poverty and common mental disorders in developing countries. Bulletin of World Health Organization 2003; 81: 609-615. BUDGET CONTRIBUTION OF C. U. SHAH MEDICAL COLLEGE Manpower of following category of persons (cost to be born by CUSMC) Teaching staff of PSM Department MSW of PSM Department Department of Pathology Microbiology All Museums One Tutorial Room for Training Clinical Department Staff Ophthalmology Chest TB Medicine Pediatrics Surgery Obstetrics Gynecology Others as per the need Intern Doctors at least 4 on rotation basis Medical Students for need assessment health education awareness purpose. Nursing students will also join when necessary for RCH programme. (Our students had actively participated in SUNAMI, flood relief etc. right now they are active in training of village level youth in Kutch Surendranagar slum rural area) Office staff at our premises Some of the drugs as well as material used in operation etc. Hospital OPD services as well as indoor services. Cost of food accommodation for patients relatives (1 per patient) Library Health education material (including Health Exhibition set) Emergency services including ambulance services. (If we convert cash for one year, it will amount to be not less than 50,00,000/-)

Wednesday, September 4, 2019

The Development of Complex Societies

The Development of Complex Societies Introduction The development of complex societies differs from other societies, not only in the number of differentiated societal parts, but whereas in simpler societies that are basically self-regulating, in decision-making functions of its societal components of which these are not generalized and constant. The term state however contains an internally specialised decision-making subsystem. This subsystem or bureaucracy has the power to mobilise certain resources that are not totally embedded within the various societal components. In this essay I have tried to look at the reason behind the rise of complex societies, using material four different ancient societies that of Mesopotamia, China, The Indus Valley and Egypt in and broken down each state in turn to help define the possible reason for each. Ancient Mesopotamia section In Mesopotamia around 4600 to 3400 millennia B.C. which incorporated the Late Ubaid period and into the Middle Uruk period, a relatively complex political formations had emerged at various different times and places. By the end of the Ubaid period, around the late 5th millennia B.C., three-level settlement hierarchies with indications of two levels of political and economic control in south western Iran and probably elsewhere (Wright 1994) was present. By about 4000 B.C., the earliest Uruk formations had emerged along the irrigated regions of the Lower Mesopotamia, the Euphrates-Tigris river system. Evidence from sites suggest a four level settlement hierarchy, with three levels of political control, this suggests a pattern not feasible without internal administrative specialisation, typical of states. At this point due to the lack of unexcavated Early Uruk sites, there is no evidence from the architecture of public buildings or administrative technology such as seals or sealings to indicate the control apparatus. Geographically major centres appear to be both closely and evenly spaced, without however showing a clearly dominant or primate centre. In contrast to this, in the dry-farmed Upper Mesopotamia during the same period settlement patterns and arte-factual evidence suggests different aspects of emergent complexity. In the north eastern portion of Iraq recent analysis done by Rotham (2002) presents evidence of both domestic and public buildings. From the small centre of Tepe Gawra, seals and sealings showing increasing hierarchy in the production of crafts and exchanges as well as showing period of conflict. Ongoing research in the central portion of Upper Mesopotamia indicates centres like Tell Brak had existed at the same time and appears also to have had specialised administrative buildings. Research only shows at this point three levels of hierarchy. The collective data can suggest that different elements of state organisation were present in different areas early in the Uruk period. From the Middle Uruk period, evidence points to a developed Uruk state with internally specialised control apparatus which is present in many parts of Greater Mesopotamia (Johnson 1987; Wright 1998). The emergence of the Mesopotamian civilisation can be seen in the unique ecological and geographical framework of the alluvial lowlands of the Euphrates and Tigris Rivers around the late 5th and 4th Millennia B.C. The ecology framework gives the emerging Mesopotamian societies important advantages in agricultural productivity and subsistence; this is not seen by contemporary polities at the periphery: the geographical framework presents the Mesopotamian societies with sustainable transportation advantages. These two factors created opportunities for rising Mesopotamian elites who could use trade as an important tool for legitimate control of power and expansion resulting in unequal share of resources. In forming a hypothesis for the growing socio-economic differentiation and urban growth giving rise to complex societies in Mesopotamia in the 4th Millennia B.C. modelling trade pattern growth can provide us with some answers. Trade would have been at first largely internal, focussing on individual southern polities that exploited localised ecological rich niches during the Late Ubaid and Early Uruk period. Middle to Late Uruk periods shows a much stronger pattern of external trade between the growing southern cities and the societies at their periphery. Again those in control of more converted resources gained more prominence. Over time a import-substitution process then amplified the one-sided evolutionary impact on the southern societies and shifting trade patterns. Mesopotamia shows gradualist evolutionary perspective, showing clear lines of continuity and change in presenting the core feature of the rise of complex societies of the Sumerian civilisation. A steady state or evenly paced change is nor seen. Both their long histories for their system of writing and temple complexes are salient comparative points. Social complexity is seen through a gradual emergence of settlement hierarchy indicative of a growing administrative structure and cumulative change in craft specialisation. Ancient China Section Early agriculture, building foundations and burials have been documented in China dating back to around 7th Millennia B.C. belonging to the Peiligang culture, but it is not until the first half of the 2nd Millennia B.C. that there is evidence for the first cities from the Shang civilisation. Though there is no significant visible trace above ground of the Shang cities, city sites can be portrayed of areas around 30 and 40 km2, with foundation ruins of clusters of buildings of various sorts. The clusters would have been densest around the centre, becoming sparser with greater distances between one another as they moved away towards the periphery. The clusters probably performed special functions and only this entire web of clusters formed a functional whole. The term web works well, as the clusters of buildings formed the nodules the invisible lines, served as complementary relationships that interconnected the nodules with one another and the centre as a whole. An-yang and Hsiao-tun are two very important sites showing clusters of buildings each laid out in a recognisable plan. At Hsiao-tun although the general architecture is unimpressive, the houses are surrounded by sacrificial burials of humans and horse chariots, storage pits and bone archives of the royal oracle records: this evidence suggests a palace, ancestral hall and ceremonial area of the house of the Shang dynasty (Shih 1959). Other remains of villages or hamlets of various sizes and sorts often within site of one another are also present. The An-yang web of individual nodular components with Hsiao-tun at its nerve centre projects am image of a single community, an urban settlement with many people with specialised segments all representing the Shang capital. The location of a central city may have been looked upon for a limited period as geomantically favourable. The movement of one site to another dictated by divination. Once the capital was moved away whatever was left behind was then transformed into farming fields. What was important was the city, not the site it sat upon. Movement from site to site was at the kings prerogative, with layout and structuring designed to serve him as the centre of attention. The first cities were developed to serve a number of functions all associated to the emergence of a ruler who possessed extraordinary political powers. Central features such as kingship are vital to our understanding of social complexity in northern China. The king presided over a hierarchy of economy, government and religion with himself at the top and centre. The central city was an effective mechanism at exerting political control over all the other settlements. Cities and towns can be seen as lineages at local levels, each hierarchically organised through the state. The elites hold on the lower classes would have been total, one that was sanctioned by fiction and enforced by might. The transition from the Neolithic Lungshan culture to the Shang civilisation presents a quantum leap in the quality of life for the elite, there is however no obvious change in the technology of food production. It is possible that the Shang used fertilizers or had more effective measures of irrigation. There is evidence of more effective cultivation methods that of the tilling of land by team, the so-called hsieh tien, a phrase often seen in the oracle records (Amano 1959). This can lead to a conclusion that during the Shang period there was the successful organisation of large-scale exploitation of a large group of people by a small group of people from within the same society. This can also be seen as the beginning of an oppressive governmental system. This urban revolution was not based on technology or power of production but on reaps of human toil. Clearly two factors not of significance here like in other archaic states are massive changes in the environment and large-scale waterworks. The success of social complexity is derived from a revolution of social systems, which in turn re-aligned societal segments in regards to food resources; coupled with advances in new weaponry, in particular the horse chariot used an effective tool for any necessary oppressive measures in the emergence of a great civilisation. Ancient Indus society The Urban Phase of the Indus or Harappan civilisation is beginning to be recognised in its own right as a unique complex society. The roots of sedentism and the village farming community can be dated back to around the 7th Millennia B.C. or even earlier. Set in the central Indus Valley on the Kachi Plain at a site called Mehrgarh, the Indus urban revolution that was to follow is seen as being thoroughly Indianized, being structured by environment, ecology and architecture. Whilst other states in the archaic period emerged from a long, slow period of gradual and constant culture modification, that eventually led to an emerging pattern of urbanisation and social complexity; the Harappan civilisation seems to have come about in a very short period of transformation, something in the region of 100-150 years. The Pre-Urban and Urban Phase of the Indus civilisation focuses on two things: items related to subsistence and the expression of style. There is clear signs of social stratification, craft and career specialisation, writing and urbanisation in the urban phase, which are all absent in the pre-urban phase. Great change is also seen in the urban phase with a significant increase in sites, followed by a gap in settlement size. Three major sites come to grow all evenly spaced within the Harappan domain Mohenjo-daro, Ganweriwala and Harappa. Evidence indicates two tiers of Harappan settlement, with regional centres or capitals developing in the urban phase. Most evident during the Urban Phase in many Harappan cities and towns is the clear demarcation of public versus private space. The citadel appears at a number of sites and is set apart from actual living space, whereas possible granaries or warehouses are within public spaces suggesting controlled forms of redistribution. Social differentiation is clearly seen in elite and lower class housing within cities. Successful social complexity in the Mature Harappan presents itself through clear signs of social stratification, craft specialism (which was established in some cities within specific districts), and sophisticated engineering and technology development and maintenance, which is indicative of the growth of civic institutions. Smaller settlements were integrated with the great urban centres. There is evidence for intensification of agriculture which concentrated on barley and wheat. Long distance trade networks were established to the east and west alongside internal commerce. Trade was advanced by the use of the wheel (the bullock cart), and that of the boat, with extensive maritime trading at outposts such as Lothal and Bakalot. Shallow harbours which were located at the estuary of rivers that opened into the sea promoted brisk trade with states like that of Mesopotamia. Social complexity is also increasing evident seen through the rise of literacy and social classes, these are two critical axes on which an evaluation of the growth of the Harappan civilisation can proceed (Possehl, 273, 1990). The growth of writing plays a critical role in the Indus as it had in Mesopotamia. Whilst trade and intense economic processes played a revolutionary role in the success of social complexity in the Harappan civilisation, there is one more institutional setting as referred to by Possehl (1990: 277) that is vital to the success of social complexity in the Indus, it is of the organisation of human ideology. The belief systems of what researcher Robert Redfield had referred to as the Great Tradition, in describing a way of life as a vehicle that enables those who share it to identify with one another as members of a common civilisation (Redfield, 1953, 64). Redfield goes on further to explain in regards to the state that the transformation of folk-society into civilisation through the appearance of development of the idea of reform†¦ by deliberate intention or by design (Redfield, 1953, 113). An important aspect to the growth of the Indus region was in its organisational aspects. The Urban phase of the Harappan civilisation was able to form strong temporary allian ces from the surrounding area based on a unique human ideology. This belief system enabled the Harappan civilisation to sustain a successful way of life throughout the Indus region. Operatives like trade, ideology and other institutional settings become centres of action that can promote social complexity and interconnect processes of change: they can in turn be changed by their own socio-cultural environment. Ancient Egypt Society Egypts history is complex, by the mid 5th Millennia B.C. it appears to be occupied by communities of people living in small functionally similar agricultural communities which appear to be only weakly connected politically and economically. But by around 2500 B.C. Egypt had become an integrated empire whose rulers power was expressed through a complex hierarchical bureaucracy. Egypts early settlements were concentrated along the small dynamic floodplain of the Nile. The Nile flood levels were powerful determents of Egypts cultural history. However this flood plain offered the same approximate natural resources for the whole of Egypts developing complexity, and therefore patterns of cultural change cannot be simply explained in terms of the flood variations of the Nile. Agricultural intensification along the Nile would have it own geometric limits and it wasnt until a full conversion to an agrarian society making use of wheat and barley, and domesticated sheep and goats that were introduced from probably south west Asia that changes took place. These changes have been documented in one of the most important areas of the time that of the Fayyum. Egypt: Origins of Complex Societies Hierakonpolis is an extremely important site as it contains the complete Badarian-Amratian-Gerzean sequence. Settled around the 4th Millennia B.C., it is believed the rapid growth of the community was due to the ecological diversity and the exceptional agricultural potential of the region. A massive population explosion occurred around 3800 to 3400 B.C. Its economy was based on both technology (a major pottery producer for Upper Egypt) and productive cereal agriculture along with the exploitation of livestock. From its size and rich content of some tombs the economy operated in the context of significant social ranking (Hoffman: 182). By 3200 B.C. there is evidence for cobblestone foundations that support a theory of a fortified palace, temple or administrative centre and Hoffman et al have concluded that Hierakonpolis had become the capital of a southern Egyptian state. The development of the Egyptian civilisation can be seen as an essentially internal and uninterrupted process, wit h Hierakonpolis lying at the centre. The Narmer Palette and other important finds at Hierakonpolis clearly suggest a centralised and stratified society. Maadi dated to around 3650 B.C. is another important site. It shows pottery style connections to Syro-Palestine and that of Greater Mesopotamia. Burials show sufficient diversity in contexts to reflect differences in status and emerging social ranking. Its site plans, finds and other evidence point to an organised society that controlled commodity production and exchange, alongside evidence for substantial copper smelting and working. Developing complexity in Pre-dynastic Egypt is seen in a shift with developmental focus now from the south to the north. The Delta was believed to be the critical region in the later Pre-dynastic as the main channel of foreign influence into Egypt and also overland trade routes. Trigger et al (1984) notes that the important changes that took place in Predynastic Egypt were the evolution of ritual systems and the expanded lines of political authority transformations. These changes are though having a dramatic impact may fail to survive in the archaeological record. Many scholars such as Schulman or Wilding challenge the theory that a military conquest by southern rulers unified the Egyptian state as the Narmer Palette commemorates. It is now thought that the unification process occurred around 3100 B.C. and was formed successfully on a complex hierarchical social and political institution which was supported by a powerful economy with major interests in international commerce and politics. The success of Egypt lies in its centralisation of its early political systems, despite it being the least urbanised. Agricultural productivity was still closely dependent on the Nile flood Levels; but the socio-political evolution was a complex interweaving web, incorporating ecological uniformity and it exploited the transport potential of the Nile effectively. Old Kingdom settlement patterns play an important part to the understanding of emerging social complexity it can be seen as the disintegration of central authority and the rise of semi autonomous families in the provinces (Kemp 101). By the Late Old Kingdom control of local affairs once controlled by the Pharaohs overseer now began to come from provincial governors or monarchs. There can be seen a slow but continuous expansion and diversity of society with provincial administrative institutions helping to grow its complexity. The cultural history of Egypt cannot simply be explained in ecological or economic terms, these do play an import part, what is deeply rooted in Egypts success is its rise in Ideology. The Idea of divine kingship, where the whole structure of both state religious and political institutions are all derived from the very notion that the Pharaohs authority and so the states was divine in origin. Conclusion The emergence of complex societies is an enduring focus for archaeologists. Identifying when and under what circumstances a political transformation has occurred combined with in some cases evaluating competing ideas explaining the origins of states themselves. Research itself has proven difficult, in part because the process is not easy to understand with limited archaeological evidence, but also as it is not a unitary and rapid process.

Tuesday, September 3, 2019

adam smith Essays -- essays research papers

Adam Smith And Jean Jacques Rousseau ADAM SMITH AND JEAN JACQUES ROUSSEAU. Adam Smith(1723-1790) and Jean Jacques Rousseau(1712-1770) each provide their own distinctive social thought. Smith, political economist and moral philosopher, is regarded as the father of modern economics. Rousseau, a Franco-Swiss social and political philosopher, combines enlightenment and semi-romantic themes in his work. Thus Smith’s work places emphasis on the relationship between economics and society, whereas, Rousseau focuses his attention on the social inequalities within society. Therefore, Smith and Rousseau, of the Scottish and Continental Enlightenment respectively, provide unique insights on their existing society. Adam Smith is one of the main figures in the Scottish Enlightenment. Smith’s main concern was the establishment of the free market, as laid out in his work â€Å"The Wealth of Nations†(1776). In the â€Å"Wealth of Nations†, Smith is very critical of the division of labour. The emphasis falls equally on the economic and social consequences of the division of labour(Smith, 1998:26). Moreover, â€Å"What is significant about the contribution of the Scottish Enlightenment to Sociology is the clear awareness that society constituted a process, the product of specific economic, social, and historical forces that could be identified and analyzed through methods of empirical science. Society was a category of historical investigation, the result of objective, material causes†(Smith, 1998:26). Smith...

The Ancient Maya Essay -- essays research papers

The Maya of Mesoamerica, along with the Aztecs of Mexico and the Incas of Peru, made up the high civilizations of the American Indians at the time of the Spanish conquest. Both the Aztecs and the Incas were late civilizations, between 1300-1533 AD, but the Maya of the Yucatan and Guatemala exhibited a cultural continuity spanning more than 2,000 years, 1000 BC-AD 1542. Many aspects of this culture continue yet today. The Ancient Maya in their time had actually refined writing. They had an extensive written language, which was both phonetic as well as ideographic. One of only five independently created writing systems in human history. Maya words were in hieroglyphs, each picture with its own meaning. Unlike other ancient Central American civilizations, the Maya could write in words, sentences, and even stories. Arranging several pictures together in a logical form would create a story. The Maya covered their cities and buildings with hieroglyphs carved into the stone. Most of the Maya could read some hieroglyphs, but the priests and nobles were the only people who actually had knowledge of the entire language. The Maya would also use quills made of turkey feathers to write in books made of soft bark taken from a type of fig tree. Religion was the center of the Mayan life. Mayans believed that there were two levels of the world. The first level was the physical world and the second was the spiritual world, which consisted of the old dead ancestors, ...

Monday, September 2, 2019

Esprit five forces Essay

Esprit faces competitors such as H&M, Uniqlo, Zara, Mango, Giordano, and Gap. Esprit’s goal is to make its own enterprise gain advantage relative to its competitors. So when they implement their plan to achieve their goal, conflict occurs with their competitors. Competition is often manifested in the price, advertising, products, services and so on. Many â€Å"Fast Fashion† brands have different product lines. Their products are more innovative and stylish. Also those brands can meet the needs of middle-class consumers. Therefore those brands can occupy the market share and gain the market value. In 2011, Esprit lost more than 90% income from 2007. It is because Esprit lost its brand positioning, continuously slipping in popularity, less consumer demand, lack of innovation and unable to meet diverse needs of consumers. To solve these problems, Esprit decided to exit its North American retail operation. They cooperate with new competent license partner instead. However, they did not give up on North America entirely. Because exit the competition is more costly than continue to participate in the competition. There are some reason will mainly affect Esprit such as economic factors, global strategy and emotional effects. Socio-political factors include asset specificity and costs of exit. Threats of Buyer’s Growing Bargaining Power Esprit exists in fast fashion industry and there are few competitors in the industry. The products of fast fashion industry have similar style. Therefore buyers would have lots of choices. Buyers would like to get higher-quality products at an affordable price and this will affect the profitability of companies in the industry. In China market, China has a huge market size and demographic differences among provinces. However, China is a â€Å"Red Sea†. Esprit cannot get a desirable profit because there are too many competitors. This affect the buyers in China have more choices to make their own decision. Threats of Suppliers’ Growing Bargaining Power Supplier bargaining power is the ability to influence the setting of price. Suppliers lower their material’s quality and value but raise up the price of  input factors in order to influence the existing industry in profitability and competitiveness. Different supplier’s materials have certain characteristics and distinguishing features. Therefore the retailer cannot change the supplier suddenly without planning because changing the supplier may higher the cost. Also the one of the important reason is retailer hard to discover a high quality to replace the material. The strength of supplier bargaining power is mainly depends on what materials or input factors they provide to Esprit. When suppliers provide the input factors that the value occupy Esprit’s large proportion of the total cost of product and the production process is critical or seriously affect the quality of the product, the potential bargaining power of supplier is greatly enhanced. Threats of New Entrants Barriers of entry include economies of scale, product differentiation, switching costs, capital needed, sales channels, natural resources, policies, geography, and so on. Some of these barriers are hard to breakthrough by means of copying or imitation. The possibility of new enterprises to enter the industry is depends on the entrant, estimated potential impact of interest rate and the required cost of the risk to take. Competitive access to the severity of the threat depends on two factors. One is the size and the other one is expected barriers to new areas of existing businesses respond to entrants. However, the fast fashion industry entry barriers are very low. Therefore there is a lot of competitors who almost sales the same products or services in order to gain the fast fashion market share. Esprit is being tough and very hard to survival in this market which has high competition of market share of raw materials and it may lower the profitability of a company in the industry. Th reats of Substitute Products Esprit and its competitor such as H&M, Gap’s products are very similar and their products are substitute products. The competitive of substitute products will affect the competitive strategy of the company in the fast fashion industry. The existing product prices and potential of increasing the profitability are limited by the user’s acceptability of the existing substitute products. Because of invades of substitute products, the existing enterprises must improve the quality of their products, reduce the cost in  order to lower the price or make the products be more unique in order to prevent the loss and frustrated of sales. The lower price and higher quality of substitute product will produce a strong competitive pressure to the enterprises. The intensity of competition from substitute product can specifically observe by examining the sales growth, factory production capacity and profit expansion.

Sunday, September 1, 2019

Essay on Star Wars

Essay on Star Wars â€Å"Aren’t you a little short for a storm trooper? † (Lucas New Hope 40). Rings a bell, doesn't it? This is one of the many quotes and a memorable one from Princess Leia in George Lucas’s saga Star Wars. Lucas had created an all American myth and was the first to do it. His movie saga used every archetype known to man and was inspired by the book The Hero with a Thousand Faces by Joseph Campbell. Campbell’s book also had every archetype known to man in it. It affected an innumerable amount of people around the world.Lucas’s Star Wars saga even went further than the big screen by inspiring comics, video games, toys, and other merchandise making Lucas a billionaire. His first three movies he made in the saga are New Hope, Empire Strikes Back, and Return of The Jedi. In this Star Wars trilogy, George Lucas illustrates that the hero must be wounded either physically or emotionally to be open to spiritual knowledge and transformation . Leia’s wounds open her to love, Luke’s wounds open him to becoming a Jedi Knight, and Anakin Skywalker’s wounds open him to redemption.These transformations are marked by physical and emotional wounds. In George Lucas’s Star Wars, Leia’s physical and emotional wounds open her up to love. First, Leia is wounded emotionally by the Death Star destroying her home planet of Alderaan. â€Å"A button is pressed which switches on a panel of lights. A hooded imperial soldier reaches overhead and pulls a lever. Another lever is pulled. Vader reaches for still another lever and a back of lights on a panel and wall light up. A huge beam of light emanates from within a cone-shaped area and converges into a single laser beam out toward Alderaan.The small green planet of Alderaan is blown into space dust† (Lucas New Hope 44). Princess Leia has been captured from the consoler’s ship and is being interrogated by General Tarkin. He is asking her abou t the whereabouts of the rebel base and if she doesn't comply he will destroy her home planet of Alderaan. She finally decides to lie so her home planet will be spared except they thank her for her cooperation, throw her in the detention level, and destroy Alderaan anyway. Leia is wounded emotionally by this because that was her home planet the Empire just destroyed using the Death Star.That means her family and all her friends and loved ones were on Alderaan and they all got completely destroyed. Everything that was her past and childhood memories was just destroyed right before her eyes. Lucas included this wounding because it is a very strong one. Leia just basically lost everything in one quick moment. He uses it also to show her strength in being able to control her emotions. Next, Leia is wounded emotionally by watching Han get frozen in the carbon freezing chamber. â€Å"Tears roll down Leia’s face as she watches the dashing pirate walk to the hydraulic platform† (Lucas Empire Strikes Back 70).Darth Vader uses Han as a sort of test dummy to test the carbon-freezing chamber on. He is testing to see if it will keep the person inside alive because Vader plans to use it on Luke later on. It is also a trap to attract Luke to Cloud City so Vader can capture him. This shows that Leia’s heart is completely open to love because she tells Han she loves him and even gets emotional when he gets ready to be frozen. Han responds with â€Å"I know† (Lucas Empire Strikes Back 70) showing the love between the two and without a doubt proving that Leia is now balanced between head and heart.Lucas has Han get frozen in carbon to reveal Leia’s true emotions and show that her heart is finally open to love. She shows it by telling him she loves him and tearing up about it. It shows that she does care and truly does love Han. Last, Leia is wounded physically by becoming a slave to Jabba the Hut. â€Å"Threepio is standing behind the grotesqu e gangster as he strokes Leia like a pet cat. Several of the guards, including Lando bring Luke from the other side of the room. Boba is standing behind Jabba† (Lucas Return of the Jedi 18).After trying to rescue Han from Jabba’s palace, Leia gets captured by Jabba and he uses her as his personal slave. He keeps her by him held by a chain. By becoming a slave to Jabba it opens Leia’s heart to even more emotions of love because her lover, Han, rescues her. Lucas has Leia get captured because it will drive Han even more to rescue her. This proves his love for Leia because he risks his own life by protecting her. By the end of all of these experiences, Leia’s heart is completely open to love showing her full emotions. In George Lucas’s trilogy Star Wars, Luke’s wounds open him to becoming a Jedi Knight.First, Luke is wounded emotionally by having his known family killed. â€Å"Luke stumbles around in a daze looking for his aunt and uncle. Sudde nly he comes upon their smoldering remains. He is stunned, and cannot speak. Hate replaces fear and a new resolve comes over him† (Lucas New Hope 19). Luke sees that the Imperial Troops have slaughtered the Jawas and then realized that they probably traced them back to Luke’s aunt and uncle’s house. He then speeds back to his house in his speeder and finds their remains and the remains of their dwelling.This greatly wounds Luke emotionally because the Empire has just destroyed his family and all he's ever had and known. Uncle Owen and Aunt Beru was the only family he thought he had left so this just devastated him emotionally. His fear is replaced by hate for the Empire. This also helps him make his decision on following Obi-Wan and training to become a Jedi Knight because he has no other options now that he has lost everything. Lucas had Luke's known family destroyed to place anger in him making him follow in his father’s footsteps unconsciously.It also h elps him make the decision to travel with Obi-Wan and train to be a Jedi Knight because now there is nothing left for him on Tatooine. Next, Luke is wounded physically by having his right hand cut off by Darth Vader. â€Å"Luke glances at the instrument complex floating away. At that instant, Vader's sword comes down across Luke's right forearm, cutting off his hand and sending his sword flying. In great pain, Luke squeezes his forearm under his left armpit and moves back along the gantry to its extreme end. Vader follows. The wind subsides. Luke holds on.There is nowhere else to go† (Lucas Empire Strikes Back 77). Luke is in Cloud City fighting Darth Vader after he escapes his carbon-freezing trap. Vader finally beats him down and cuts off Luke's right hand with his light saber. Luke is driven by anger and hate which in the end ultimately causes him to lose this battle. Vader cuts off Luke's right hand. That is the hand in which he wields his light saber. This represents his power hand and now he has no power because he has lost his right hand. This weakens Luke greatly. During this wounding he has the epiphany that Darth Vader is Anakin Skywalker, his father.During this wounding he is wounded both physically and emotionally. Physically because he loses his hand and emotionally because he learns that this evil man is indeed his father. Lucas had Vader cut off Luke's power hand showing now that Luke is weak and vulnerable. At this point Vader also tells Luke that he is his father because Luke cannot escape from the truth being physically wounded and defeated. Last, Luke is wounded emotionally by having his father die. â€Å"Darth Vader, Anakin Skywalker†¦Luke's father, dies† (Lucas Empire Strikes Back 88). Luke is on the Death Star to defeat the Emperor butDarth Vader gets in his way and starts fighting with Luke instead. Luke keeps backing down saying, â€Å"I will not fight you, father† (Lucas Empire Strikes Back 81). Luke then fina lly beats down Vader and cuts his hand off, just like Vader had done to him. The Emperor walks over to Luke and asks him to join the Dark Side but Luke refuses so the Emperor starts to electrocute him with his hands showing no mercy. â€Å"Vader grabs the Emperor from behind, fighting for control of the robed figure despite the Dark Lord’s weakened body and gravely weakened arm.The Emperor struggles in his embrace, his bolt-shooting hands now lifted high, away from Luke. Now the white lightning arcs back to strike at Vader. He stumbles with his load as the sparks rain off his helmet and flow down over his black cape. He holds his evil master high over his head and walks to the edge of the abyss at the central core of the throne room. With one final burst of his once awesome strength, Darth Vader hurls the Emperor’s body into the bottomless shaft† (Lucas Return of the Jedi 86). This emotionally wounds Luke because he finally has feelings of love towards his fathe r.His father, Anakin, just sacrificed himself for his son overcoming the evil within him letting his good side show. Luke feels sad and does not want to leave his father. His mother has already died so that was the last adult in his family and he finally felt that father to son connection. Sadly it only lasted a little bit because Anakin quickly dies. Lucas shows this as the final state of Luke becoming a true Jedi knight. This is shown by Luke saying, â€Å"Never! I’ll never turn to the dark side. You’ve failed, Your Highness. I am a Jedi, like my father before me† (Lucas Empire Strikes Back 84).In the trilogy Star Wars, by George Lucas, Anakin Skywalker’s wounds open him up to redemption. First, Anakin Skywalker gets emotionally wounded by the Sand People kill his mother. After the Sand People kill Shmi, Anakin's mother, he goes on a rage and kills an entire village of Tusken people including women and children. He does this out of anger. Anakin's mothe r Shmi gets captured by the Sand people. He then goes to free her and help her escape because of the love he has for his mother. As Anakin is walking her out of the village a Tusken raider shoots and kills Shmi.This puts Anakin in an outrage and he then massacres the entire village out of anger and hate with his light saber. This emotionally wounds Anakin greatly because the Sand people just killed his mother. Shmi was the woman he loved and cared about the most. He had always taken care of her and supported for her. Now that they just murdered her, it sent him on an unstoppable rage. Lucas has this happen to set Anakin on his course to becoming Darth Vader. All the hate and anger that came into him after this event turned him evil therefore setting him up for later redemption.Next, Anakin is physically wounded by falling into a burning lava pit. â€Å"Anakin's clothing blows into the lava river and ignites. Suddenly Anakin bursts into flames and starts screaming† (Lucas Reve nge of the Sith 89). Obi-Wan and Anakin are fighting on the volcanic planet of Mustafar. Obi-Wan cuts off Anakin's arm and greatly wounds him sending him falling close to the lava river in which his clothes ignite and his body is badly burned almost to the point of death. This greatly wounds Anakin and sets him on his way to being the mechanical more-machine-than-human Darth Vader.After he lies injured for a while he is finally spotted by Darth Sidious and what is left of him is put in a medical capsule. They then turn him into Darth Vader by replacing his injured parts with robotic parts making him more machine than human. Last, Anakin is wounded physically by saving his son Luke. â€Å"Vader grabs the Emperor from behind, fighting for control of the robed figure despite the Dark Lord’s weakened body and gravely weakened arm. The Emperor struggles in his embrace, his bolt-shooting hands now lifted high, away from Luke.Now the white lightning arcs back to strike at Vader. He stumbles with his load as the sparks rain off his helmet and flow down over his black cape. He holds his evil master high over his head and walks to the edge of the abyss at the central core of the throne room. With one final burst of his once awesome strength, Darth Vader hurls the Emperor’s body into the bottomless shaft† (Lucas Return of the Jedi 86). Then, â€Å"Vader's cape is whipped by the wind and he staggers, and collapses toward the bottomless hole.Luke crawls to his father’s side and pulls him away from the edge of the abyss to safety. Both the young Jedi and the giant warrior are too weak to move† (Lucas Return of the Jedi 86). In the Death Star, Anakin watches his son dying and then the good in him kicks in as Luke begs his father for help. Anakin steps in and sacrifices himself for his son. Anakin redeems himself here for all the evil he has done by sacrificing himself for the love of his son Luke. He just can’t bare it anymore to wat ch his son suffer so he acts on love and aves his son from the Emperor killing himself in the process. Lucas shows Anakin redeeming himself by sacrifice. He obtains redemption by giving into love and finding the good in him to save his son. In this Star Wars trilogy, George Lucas illustrates that the hero must be wounded either physically or emotionally to be open to spiritual knowledge and transformation. Leia’s wounds open her to love, Luke’s wounds open him to becoming a Jedi Knight, and Anakin Skywalker’s wounds open him to redemption. These transformations are marked by physical and emotional wounds.